Not another teen movie, it is business pure and simple.

The business world is ruthless, is a premise that again be ratified in the history of the creation of Facebook, the social network in the world. The slogan adopted by the film sums in large part to what she faces the audience: “You do not get 500 million friends to win over some stories without enemies.” The film recreates in a solemn tone that anyone could have expected, all the intrigues that preceded the birth of this giant, which incidentally, left at the top of the list to a new multi-millionaire.

A shy and somewhat cocky boy, according to some journalists who have interviewed, only 26 years, is the creator of this network, which has a dark history that still there are many especualaciĆ³n, for the same operator did not want to say a word matter and has let his enemies, before members or fellow students, take out their anger by giving the press material for publication.

Although none of the published versions (book and film), have been able to have the approval of Zuckerberg, both planted let it differently. The book by Ben Mezrich that largely, but not all, had the testimony of Eduardo Saverin, best friend and partner with the most contentious legal and moral Zuckerberg introduces us to a few friends, anything popular, somewhat ambiguous, very skillful with the computer that your business is leaving behind what stand beside her, while the film is somewhat more “condescending” because it manages to see a desire to excuse their actions as part of the inexorable dynamics, as ruthless and calculating that there is no room for guilt.

The theme of this film adaptation revolves around two disputes facing Zuckerberg is claimed plagiarism of the idea, complaint filed by Winklevoss twins, two Olympic athletes, and his best friend and partner, Eduardo Saverin by deception and co-authorship of the network. The tension this creates does not exclude other conditions such as excess alcohol, drugs, sex and loud sounds that characterize the college years. Through it all, is this young man with great ideas in his head but limiting them to work alone, so he nurtured, cleverly, of which his friends are.

Fortunately The Social Network does not stay in these excesses, in much skin fresh and vigor, but to point out that behind it all, so there is a generation of very very young boys who are creating truly original ideas and thinking about business size Overall, they top it off, are transforming the way people communicate with the world, to make trade and simplifying the corporate language, even the body. Zuckerberg is not the only new billionaire in “flip-flops (beach sandals), jeans and shirt. The film also has the strong intention to show the simplicity with which they are born some of the biggest projects.

The dispute over the giant and everything was at stake does not deserve another tone that gave the director Fincher. Its location is fairly accurate but curiously attenuated so frugally on the network that we all know, that both entertains us and is full of frivolity, which at times makes the film with its conflicts and intrigues, becomes a bit heavy and slow advance, which is his only weakness.

Another interesting factor about this film is the great cast who performed and whose gear they worked almost perfectly. The casting is not only notable for its resemblance to real people, but for the great job done in general, giving weight and credibility to the tape. Of course, Jesse Eisenberg makes a notable role as billionaire Mark Zuckerberg, playing, at least, the general concept that is the typical nerd.

The Social Network is very excited to criticism that focuses on her 2011 Oscar as best of the year. As far as I’m concerned, I can say that many things are right: it is a film told with a steady, very good direction, with a current theme that reflects the business world today, of impeccable adaptation created by Aaron Sorkin, agile and intelligent dialogue and a very good deal, but for me, fails to rise to the level of masterpiece.

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This post was written by Jeff H.

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